Wednesday, December 22, 2010
Surf School
Thursday, December 2, 2010
Wednesday, November 24, 2010
Monday, November 15, 2010
Sunday, November 14, 2010
Wednesday, November 10, 2010
snap crackle pop
Sunday, November 7, 2010
Doom
PS
This video clip is tribute to Daniel Dumile who goes by the name of MF Doom also known as, Madvillain, Victor Von Danger Mouse, Doom, Metal Face, Metal Fingers. Have a listen ->if you don't like rap then listen to the intrumental albums special herbs under the name Metal Fingers you wont be disappointed. BTW the Mmmm Food album is truly amazing!
Cheers
juz
Wednesday, November 3, 2010
Nurtured by Natures gift
When the Tui sits in the Kowhai tree
and the sun tips the mountain tops with gold
when the Rata blooms in the forest glade,
and the hills glow with sunny tints untold.
I love to roam through bush and fern
and hear the Bellbird sing
and feel the touch of the wind on my face
while the joy in my heart does ring.
There are some who long for coral sands
and some for wind-swept plains
while others roam the ocean wide
then pine for home again.
But give to me the care-free life
by mountain, lake or shore
of the lovely land of the Long White Cloud,
Our Homeland Aotearoa.
Words A. G. Hall, 1920s. Music "Pretty Caroline", traditional
Iwi-katere - Owner of a wise bird
Tui were often kept in cages an taught words and songs. Long ago, at Te Wairoa on the east coast, a rangatira named Iwi-katere owned a pet tui, called Tane-miti-rangi, which he taught ritual chants of every kind. The bird became so knowledgeable that it recited all the chants at the rituals performed at harvest time.
One year a neighbouring rangatira, Tamatera, sent a messenger to ask if the bird could recite the chants for his kumara-harvesting ceremony. Iwi-katere replied that Tamatera could borrow the tui, but that first it would have to officiate at his own ceremony. Tamatera regarded this as an insult and that night he sent the messenger back to steal the bird.
As the thief approached the house, the tui awoke and called to Iwi-katere, 'I'm being carried off, carried off by a thief, wake up!'
But Iwi-katere slept on, and the thief got away with the bird. Next morning Iwi-katere listened in vain for the accustomed sound of his tui's voice as it spoke to the people. He wept for his bird, and knowing that Tamatera had stolen it, he raised an army.
In the end the thief's people were defeated and migrated from Te Wairoa to Heretaunga (Hawke's Bay). Their descendants are still there and Iwi-katere's descendents are still at Te Wairoa.
The following myth has two variants, in one Tane is the protagonist, the other it is Rupe. It tells of how the tui came to the land of Aotearoa.
Rehua: A great rangatira in the sky
[...] the visitor is shocked when Rehua prepares a meal for him by untying his long hair and shaking into a vessel the birds that haven been feeding on the lice on his head. When these birds - they are tui - are cooked by his attendants, and palced before them, neither Rupe nor Tane will touch them, because they have fed on the lice that have fed on Rehua's tapu head. Tane, however, recieves permission from Rehua to take the birds down to the earth below, and he is told how to snare them. As well he takes the trees with thefruits on which the birds feed: and so we now haves birds and forests.
Monday, November 1, 2010
Gallamorphinetastic
Cheer bout it.
Thursday, October 28, 2010
Monday, October 25, 2010
Wednesday, October 20, 2010
Wednesday, September 29, 2010
Wednesday, September 22, 2010
sound check
Saturday, September 4, 2010
Rule of thirds

Friday, August 20, 2010
Maybe it’s just the way
Eh oh eh oh eh
Eh oh eh oh eh
Eh oh eh oh eh
that god made me this day?
Thursday, August 19, 2010
50 Ways to Eat Nutella
5o Ways to Eat Nutella :
- with a spoon.
- between two slices of white bread.
- spread onto a crusty baguette.
- in a crepe.
- in a crostata.
- in brioche/cornetti/croissant.
- in a donut.
- on top of gelato.
- dip a banana into it.
- spread onto cookies or wafers.
- between two pizzelles.
- in an ice cream cone.
- on sweet ravioli.
- in a hamburger or hotdog bun.
- on a bagel.
- on a muffin.
- on top of a waffle.
- in a pita.
- on poundcake.
- twisted in challah.
- on strawberries.
- on sliced pear.
- stuffed in a cored apple.
- spread on celery sticks.
- stuffed in French toast.
- swirled into brownies.
- swirled into or topped onto cheesecake.
- dosed into your morning coffee.
- frozen into an icy granita.
- mixed with rice krispies.
- topped on a cupcake.
- injected into a cupcake.
- between layers of a cake.
- as frosting for a cake.
- as a twist on tiramisu.
- mixed with your favorite cream alcohol.
- mixed into a chocolaty martini.
- between layers of trifle.
- mixed in your favorite pudding.
- melted into hot chocolate.
- in creme brulee forms.
- in filled profiteroles.
- in tuiles.
- in babka.
- in tiny filo cups.
- on a sweet pizza.
- sandwiched between layers of pandoro or panettone.
- with peanut butter in a poor man’s peanut butter cup.
- in a N&J – Nutella & Jelly sandwich.
- with marshmallow fluff in a FlufferNutterNutella
Wednesday, August 18, 2010
Karma-Toon
Tuesday, August 17, 2010
Afternoon tea Yo Yo

Biscuits:
185g butter
60g icing sugar
60g custard powder
185g plain flour
Filling:
2 tablespoons butter, softened
4 tablespoons icing sugar, sifted
few drops vanilla essence
few drops colouring, if desired
Cream butter and icing sugar until light in colour and consistency.
Sift custard powder and flour three times. Stir into creamed mixture.
With floured hands roll teaspoonfuls of mixture into balls about the size of a small walnut.
Place on greased tray and press flat using a fork dipped in flour. (You will probably need to dip the fork into the flour between every biscuit to avoid sticking.)
Bake in a pre-heated 160 deg C oven for 15 - 18 minutes or until a pale golden colour. (The bottoms should be golden brown.)
GE Free Street Bikers
Friday, August 13, 2010
Adams Apple

"Is your neck broken Sir?" (pointing at my neck)
"No... that's my Adams Apple."
"Does it hurt... Why didn't you swallow the Apple - are you saving some for later?"
"No...No no (trying not to laugh) This what men develop when they are all growth up. You'll get one, one day.
It's called an Adams Apple.
" You should go to the doctor about your broken neck it looks sore!?"
"if you say so..."
Doctor Yr 2 Student vs Patient Teacher (no pun intended)...
Wednesday, August 11, 2010
interpretation subject
in why we live, there is only wrong
so radical, destroyed for nothing
and i don't care, i don't care anymore
remarkable, pulsating creature
into whose calves the poison flows
when it is wondrous
it makes us whole
to force a hammer and a nail
into its soul
journey to the end of the night
am i alright, do i look alright?
a car has killed you
and your corpse
has de-discouraged us
to never never never never look up
the scorpion in our chests
cuts the word to scar, powerlessness
Tuesday, August 10, 2010
Monday, July 26, 2010
FROSTY MAN & THE BMX KID
This was written and directed by Tim McLachlan – one of the five finalists in the international YOUR BIG BREAK film-making competition run by Tourism New Zealand in conjunction with Barrie Osborne and Sir Peter Jackson.
Sunday, July 25, 2010
We are what they fed us? They are what we feed them?
Saturday, July 24, 2010
Friday, July 23, 2010
What do you call a snail on a ship? A snailor.

I found a snail camouflaged as a piece of driftwood today. It made me think about how turtles and snails are so alike in their difference, and the Butcher Dance.
Thursday, July 22, 2010
Hearing grass, thinking grass: Post Colonialism and Ecology in Aotearoa - New Zealand By Michèle D. Dominy
Definitely something to ponder on whilst at Shapeshifter this weekend.
A passage from Monday's Warriors by Maurice Shadbolt
Titokowaru tries to teach Booth how little, how differently, and how deliberately he chooses to perceive:
Booth put on a patient expression. Silence grew around them. Birds fluted and chimed overhead.
‘ You hear?’ Titoko asked. ‘ You hear the bird in the tree?’
‘ Just so,’ Booth agreed.
‘ Listen longer,’ Titoko asked. ‘ What do you hear now?’
Booth was brief ly si lent. ‘The same,’ he confessed.
‘ Not the tree in the bird?’
‘ It fai ls to make itself apparent,’ Booth said, rather baffled.
‘ That is your problem, Mr. Booth. You hear us as but the bird in the tree. You are deaf to the
tree in the bird.’ (43)
Titokowaru’s nature is a concept, a cultural relationship, and not a fact. The ‘ tree in the bird’ speaks more to achieving a bodily and social knowledge of the world that derives from physicalexperience; it is a form of empirical knowl edge. Titokowaru’ s understanding of the tree in the bird evokes the ki nd of understanding that Roderick Neumann characterizes as that of a practical, rather than an aesthetic, engagement with l andscape, where the insider travels in landscape rather than through landscape. Booth’s surveyors travel through it . Titokowaru and his Demon travel in it.